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29 March 2023

PERFORMANCE REVIEW: Christoph Willibald Gluck — ORFEO ED EURIDICE (M. Moore, S. Stewart, M. Quinn; The Chamber Orchestra of the Triangle, 25 March 2023)

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CHRISTOPH WILLIBALD VON GLUCK (1714 – 1787) : Orfeo ed Euridice [1762 Vienna version] — Megan Moore (Orfeo), Susannah Stewart (Euridice)...
22 March 2023

PERFORMANCE REVIEW: Gaetano Donizetti — DON PASQUALE (B. Smoak, M. Redding, C. Carrico, K. Alston, J. Ray; Piedmont Opera, 19 March 2023)

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GAETANO DONIZETTI (1797 – 1848) : Don Pasquale — Brad Smoak (Don Pasquale), Michael Redding (Dottore Malatesta), Cree Carrico (Norina), K...
16 March 2023

PERSONAL PERSPECTIVES: raising my Voix des Arts — an origin story

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A room with a view : the set of Sir Jonathan Miller’s production of Igor Stravinsky’s The Rake’s Progress , reviewed at The Metropolitan Ope...
21 February 2023

PERFORMANCE REVIEW: Johannes Brahms — EIN DEUTSCHES REQUIEM (J. Sitkovetsky, A. Garland; Greensboro Symphony Master Chorale and Orchestra, 18 February 2023)

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JOHANNES BRAHMS (1833 – 1897) : Ein deutsches Requiem , Opus 45 — Julia Sitkovetsky (soprano), Andrew Garland (baritone); Greensboro Symp...
12 February 2023

PERFORMANCE REVIEW: Gregory Spears & Greg Pierce — FELLOW TRAVELERS (J. Lattanzi, A. Acosta, K. Pracht, K. Thurman, J. Jeremiah, J. Fulton, K. Riess, K. White, J. Harr; Virginia Opera, 12 February 2023)

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GREGORY SPEARS (born 1977) and GREG PIERCE (born 1978) : Fellow Travelers — Joseph Lattanzi (Hawkins Fuller), Andres Acosta (Timothy La...