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04 April 2022

PERFORMANCE REVIEW: Mark Lanz Weiser & Amy S. Punt — GALAXIES IN HER EYES (D. Thompson-Brewer, L. Kesselman, A. L. Bottoms, S. Nordin; High Point University, 3 April 2022)

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MARK LANZ WEISER (born 1968) and AMY S. PUNT (born 1987) : Galaxies in Her Eyes [ WORLD PREMIÈRE ] – Diana Thompson-Brewer (Eden), Linds...
02 April 2022

PERFORMANCE REVIEW: Bedřich Smetana — PRODANÁ NEVĚSTA (C. Griffin, W. Edwards, R. Powell, Z. Taylor, R. A. Garcia, D. L. Dorsett, D. Grimm, P. Wheeler, M. Adams, C. McCrea, K. Whitton; UNCG Opera Theatre, 31 March 2022)

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BEDŘRICH SMETANA (1824 – 1884) : Prodaná nevěsta – Claire Griffin (Mařenka), William Edwards (Jeník), Reginald Powell (Kecal), Zachary Tayl...
08 March 2022

PERFORMANCE REVIEW: Paul Moravec & Mark Campbell — SANCTUARY ROAD (B. Taylor, L. Lain, T. Raven, N. Shankle, M. Merriweather; North Carolina Opera, 4 March 2022)

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PAUL MORAVEC (born 1957) and MARK CAMPBELL (born 1953) : Sanctuary Road [ WORLD STAGE PREMIÈRE ] – Benjamin Taylor (William Still), LaT...
12 February 2022

RECORDING REVIEW: G.F. Händel, W.A. Mozart, G. Rossini, F. Mendelssohn, J. Massenet, & I. Stravinsky — LYRIC ARIAS (Eric Ferring, tenor; Madeline Slettedahl, piano)

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GEORG FRIEDRICH HÄNDEL (1685 – 1759), WOLFGANG AMADEUS MOZART (1756 – 1791), GIOACHINO ROSSINI (1792 – 1868), FELIX MENDELSSOHN (1809 – 1847...
07 February 2022

PERFORMANCE REVIEW: Gaetano Donizetti — LINDA DI CHAMOUNIX (M. A. Zentner, K. Alston, D. Romano, S. Lee, M. Redding, L. Hall, K. Ledbetter, D. Maize; UNCSA A.J. Fletcher Opera Institute, 4 February 2022)

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GAETANO DONIZETTI (1797 – 1848) : Linda di Chamounix – Margaret Ann Zentner (Linda), Kameron Alston (Carlo, visconte di Sirval), Danielle...